FLOW Capture + Ingest

Capture every moment live, from every angle

A state-of-the-art multi-channel video ingest server for broadcast, sports, and reality TV, designed to meet the rigorous demands of any production.

FLOW multi-channel ingest server

Workflow

From Ingest To Delivery

Web-based application

Configure and run ingest from any browser, with no client software to install.

4 or 8 channel

Available in 4 or 8 channel configurations for broadcast, sports, and reality TV.

Records into EFS

Streams record directly into EFS storage, ready for editors the moment they land.

FLOW Logger gang multicam view in context

Dual functionality on every channel

Flexible Ingest Capabilities

Baseband and file-based, in one server. FLOW servers support both file-based and baseband SDI ingest, and each channel can be configured either way. File-based ingest supports codecs from major camera manufacturers, so you connect your preferred camera card and processing happens automatically. Each server handles up to four channels, from HD to 8K, with a turnkey path straight into an EFS media space.

Never miss out

Schedule Your Ingest

A comprehensive scheduling module records incoming video streams at specified times and dates. Configure ingest ports, assign EFS storage, and select the codec you need, then save the whole configuration as a preset so the next production loads in seconds.

One toolset, every production

Configured differently for studio shows and live sport, so the same server adapts to whatever is on the schedule.

Safe and secure

Recording straight into EFS, with complete peace of mind that the feed is captured.

Workflow freedom

Codecs that work natively in the leading NLEs, so there is no rewrap step waiting on the other end.

Native codecs, no transcode queue

Workflow

FLOW Ingest records native NLE-friendly codecs, which takes an entire step out of post. Media is ready to cut as it arrives, in the format your editors already work in.

  • Codec pack

    Covering Apple ProRes, H.264, Avid DNxHD, AVC-Intra, DV/DVCPRO, and XDCAM.

  • Edit-While-Capture

    Lets editors cut the growing file while the feed is still recording.

  • Universal Media Files

    In MXF and MOV, opening natively in Premiere Pro, Media Composer, Final Cut Pro, and Resolve.

  • Real-time proxies

    Let anyone preview, comment, and add rich, customizable metadata while the feed is still recording.

The FLOW panel inside Adobe Premiere Pro, with captured clips and markers loaded beside the timeline
FLOW capture interface listing camera-original file formats as they ingest into EFS storage

From re-wrap to full transcode

File-Based Ingest

The most comprehensive format support available. Bring in file-based media from any camera on the shoot, including RED R3D, ARRI Raw MXF, SXS, and BMRAW, plus most DSLR cameras, with full device metadata preserved end to end. Re-wrap when speed matters, or transcode when the downstream workflow needs it, and bandwidth stays fully under your control so editors never notice a drop in performance.

Let's transform your media workflow.

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